Behoort niet tot het authentiek delfts aardewerk van circa 1650-1850, is nieuw, na 1945,1950, volledig handgeschilderd, onderglazuurschildering, de zogenaamde nieuwe techniek, op onderzijde gestempeld of zeefdruk, behalve ’kroon’ en 212 (met penseel), mogelijk hoort er nog een deksel bij, geen verdere gegevens, dus onbekend waar en door wie gemaakt, groet jvdh.
Does not belong to the authentic Delft pottery from around 1650-1850, is new, after 1945, 1950, completely hand-painted, underglaze painting, the so-called new technique, stamped on the underside or silk-screen print, except 'krone' and 212 (with brush), possibly included there is another lid, no further data, so unknown where and by whom made, greetings jvdh.
Verdict:
Indeterminable
Analysis:
More recent production technique
After 1850, factories in and outside Holland developed more efficient and cheaper production techniques. This goes beyond the scope of this website.
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Hand-painted
An important characteristic of authentic Delftware is that it is hand-painted. Printing techniques do not occur on this earthenware.
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Mark of a non-Delft pottery/factory
The typical Delftware also inspires producers outside of Delft, but genuine Delftware has only been produced in Delft.
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Behoort niet tot het authentiek delfts aardewerk van circa 1650-1850, is nieuw, na 1945,1950, volledig handgeschilderd, onderglazuurschildering, de zogenaamde nieuwe techniek, op onderzijde gestempeld of zeefdruk, behalve ’kroon’ en 212 (met penseel), mogelijk hoort er nog een deksel bij, geen verdere gegevens, dus onbekend waar en door wie gemaakt, groet jvdh.
Does not belong to the authentic Delft pottery from around 1650-1850, is new, after 1945, 1950, completely hand-painted, underglaze painting, the so-called new technique, stamped on the underside or silk-screen print, except 'krone' and 212 (with brush), possibly included there is another lid, no further data, so unknown where and by whom made, greetings jvdh.
Verdict:
Analysis:
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